Dear Moderator,
This belongs to Matthew Thacker and I worked with Waqaar Mehdi and Liam Hedley. We were asked to create a 2 minute opening sequence to a horror film with titles. Use the tabs on the top of this blog to navigate through research, planning, construction and evaluation. You can also use the Timetoast Timeline to see our progress during the project.
The project was started on the 16th of January and the final deadline was 20th of April, so we have been given approximately 3 months to research, plan, create and evaluate our film. We hope you enjoy both the film and the blog.
Regards, Matthew Thacker.
Brief: Create the opening sequence to of a Horror/Noir film including titles lasting 2 minutes. Matthew Thacker
Monday, 23 April 2012
Final Cut (Final Edit)
Here is our final cut with all the editing that we needed to do and all the sound has been dubbed over so that all the dialogue is understandable and so that the plot can be further understood.
Tuesday, 27 March 2012
Evaluation Rough
2) Our product has the social group of teenagers and mixed ethnicity from different backgrounds of Social Class. This is saw through the characters, one being from a different ethnic background and two being from contrasting social backgrounds, which is portrayed through clothes, one dressing rather casually and the other dressing in jogging bottoms and a hoodie, suggesting the differences in backgrounds. However, gender is represented only by males showing that it is a male dominant film, especially in the opening sequence, but the movie as a whole, women are generally passive. We are hoping this will not affect our target audience because its not like females are missing from the whole idea of the film just not in the main roles. Our main aim was to link the film to the target audience through the matters of difference in social class and ethnicity but brought together by age and the fact that people can be friends despite the difference, so that can appeal to the target audience and also a larger audience from the differences between the characters.
4) The age we are looking to be our target audience is teenagers to young adults, mainly due to the characters. But due to the genre being a supernatural/psychological horror, similar to other hugely successful movies like Black Swan and hopefully the genre will be able to attract a sub-target audience of older people such as those over the young adult age range as well as the younger audience making our movie successful. Black Swan was able to attract a larger target audience due to its complex narrative that was unique and kept the audience gripped and entertained throughout. Another similar movie is that of Jacob's Ladder which again with its interesting narrative and film genre of supernatural/psychological horror allowed it to attract a large target audience when the genre was still young and unestablished, but it was successful.
REMINDER : These are not final answers, they are going to be developed on in the final evaluation.
4) The age we are looking to be our target audience is teenagers to young adults, mainly due to the characters. But due to the genre being a supernatural/psychological horror, similar to other hugely successful movies like Black Swan and hopefully the genre will be able to attract a sub-target audience of older people such as those over the young adult age range as well as the younger audience making our movie successful. Black Swan was able to attract a larger target audience due to its complex narrative that was unique and kept the audience gripped and entertained throughout. Another similar movie is that of Jacob's Ladder which again with its interesting narrative and film genre of supernatural/psychological horror allowed it to attract a large target audience when the genre was still young and unestablished, but it was successful.
REMINDER : These are not final answers, they are going to be developed on in the final evaluation.
Monday, 26 March 2012
Rough Cut 2
This is our second rough cut, we are hoping to cover the sound as peoples voices seem quiet and not really understandable. The only critism's we have gained are those on the sound, as without it the plot of the first scenes cannot be understood.
Thursday, 22 March 2012
Friday, 16 March 2012
Tuesday, 13 March 2012
Primary Audience Research
Horror movie questionnaire
View more documents from Thacker123.
Here is our Primary Audience research where we asked 25 people questions of what they want from a horror movie, the results are shown above.
Here is our Primary Audience research where we asked 25 people questions of what they want from a horror movie, the results are shown above.
Monday, 12 March 2012
Call Sheet: Part 2
Call sheetpart2-120305045749-phpapp01
View more documents from Thacker123.
Call sheet of the location of the house shots, and also the shot of the car pulling away.
Call sheet of the location of the house shots, and also the shot of the car pulling away.
Thursday, 8 March 2012
Rough Cut
Above is the first rough cut we have produced, the feedback has mainly been criticism of the wind blocking the actual speech in the video and also how some shots need to be edited as it doesn't flow as well as we hoped. Also we need to put music in the video to help create the tension and suspense that we want. Furthermore, we may need to dub over the speech as the wind makes it muffled and quiet, ultimately making it hard to understand.
Monday, 5 March 2012
Pitch: Disturbed
Pitch
View more documents from Thacker123.
The pitch for our film which discusses our target audience, the overall synopsis of the film, about our opening sequence and some ideas that have influenced us.
The pitch for our film which discusses our target audience, the overall synopsis of the film, about our opening sequence and some ideas that have influenced us.
Sunday, 26 February 2012
Treatment Sheet
Treatment sheet
View more presentations from Thacker123.
The treatment sheet discusses things such as the mise-en-scene, camera shots and editing techniques displayed through images. We discuss location, costumes and props that will be key to carry the narrative in the opening sequence and the movie as a whole.
The treatment sheet discusses things such as the mise-en-scene, camera shots and editing techniques displayed through images. We discuss location, costumes and props that will be key to carry the narrative in the opening sequence and the movie as a whole.
Thursday, 23 February 2012
Recce shot 1
This recce shot shows the location of the tunnel shot, where the main character meets his two friends.
Recce shot 2
Recce shot 2 shows us the location of where the characters walk across the rubble and the building they enter is in the background.
Recce shot 3
Recce Shot 3 is located in the derelict building, and is where the characters meet to go to the scene of where the character Anthony Hoddle died.
Recce shot 4
An exterior view of the derelict building, this will feature and extreme long shot in the sequence.
Call Sheet
Call sheet AS Media
View more documents from Thacker123.
This call sheet shows the location of the main filming in the opening sequence at steetley, as well as what we will need.
This call sheet shows the location of the main filming in the opening sequence at steetley, as well as what we will need.
Monday, 20 February 2012
Storyboard
Here is our storyboard of our film, with all camera shots and scenes, and with some annotations to help commentate.
Company Logo
We have collaboratively decided to name our production company 'Panda Productions'
after much deliberation over what would be an appropriate
brand identity to associate our film with. The use of the panda to
represent the company image has a number of different connotations.
These not only relate to horror films, but represent values that we want
to reflect to our audience.
- Pandas can be vicious animals which reflects the often vicious nature of horror films, however the fact that they are sometimes labelled 'cute' also links in to the idea that our film, and any other films produced by the company, will try to be deceiving and not necessarily follow the generic trends. This will therefore give audiences a more enjoyable and 'frightening' experience as they might not know what to expect. It is being frightening which is one of the main purposes of horror films. Also, the fact that pandas are often least-accurately labelled in this way suggests that although predominantly producing horror films, the company has strong potential to diversify into other genres in the future should it be successful.
- The panda is strong animal which represents strength in the quality of production and strength as company as a whole. It adds a certain assertive feel, showing that the company is confident in itself and therefore this will lure in audiences.
- The actual use of an animal is quite anthropomorphic - there is a link between this and the fact that horror films are usually fiction. Most people tend to have a positive relationship or attitude towards animals which will help the company to become well-liked and less of a bureaucratic organisation with a negative press.
- The use of alliteration (Panda Productions) means the name is memorable and catchy. This will in help the company to gain positive press (which can be used to advantage with future ventures) as people will associate previously successful films with their name
Using the name I have created the company logo (with approval from the rest of the group). I
have produced two variants which can be used according to which is
deemed more appropriate in the specific context, in terms of colours and
impact, etc.
![]() |
| The
main version of the logo which was designed with the intention of
promoting the company as a whole when not being used for a specific
product. This is a variant of the main logo which is designed to be more impacting and specifically relevant to the horror genre so it is probably the variant which will be used at the beginning of our title sequence.
The
logo has been designed so that it is simple and sophisticated yet
impacting at the same time. It does this by using a sans-serif font
which is modern and relates to the idea that the company's films are not
conventional and do not always follow the generic trends; it is rather
creatively innovative as already mentioned. Both variants use a simple
black and white contrasting colour scheme retrospective of the panda
concept, but also to help the text stand out and promote the name rather
than the image as a whole. This is also aided by the fact that the text
is in uppercase letters.
The
logo has a copyright symbol which shows that the originally designed
logo and company itself is protected by copyright laws and cannot be
reproduced in any way. This is also the case for any content it
produces. This is necessary for professional companies as it prevents fraud and helps to maintain status and respectability.
The
fact that the the panda image is integrated with the words helps the
logo to be less cluttered but also more creative and interesting. The
red colour has connotations of blood, danger, evil, etc. which all
relate to the horror genre. However, if the company changes direction to
further genres this colour could be changed easily. The use of a simple
panda will help audiences to associate the company's films with the
logo better as images are often better remembered than text.
The screen dumps below show some of the aspects involved in creating the logo.
The panda graphic was used by downloading a font aptly entitled 'Panda' from the website 'dafont'.
This is a ornamental typeface meaning that different graphics represent
different keys on the keyboard and in our case the 'f' key represented
the image that we wished to use. We chose the graphic that we did as it
best resembled a letter that would be used in the text element of the
logo more than any of the others. It was also clear, simple and
eye-catching.
In Photoshop the font was utilised through a text layer which placed above all the over layers in order to make sure that it covered the space where otherwise the 'D' in panda would be placed. This space was created by placing a white (black in the variant) shape over the D, in the layer below. The pitch of the text/image was 200pt, slightly larger than the main text itself as the images were quite small in comparison. It was important to maintain a consistent size to make the logo more aesthetically professional and pleasing.
Although
the font style was regular, it was made 'strong' to help emphasise it
did the red colouring (this also has connotations relating to horror -
see earlier) which was applied by changing the 'layer style to colour
overlay' as evident in the screenshot below.
It
was important to make sure that the blend mode was set to 'Normal' so
that full colour overlay effect would take place to full extent.
Ensuring the opacity was at 100% made sure that the colour would differ
from the one selected.
The
shade of red selected was done so carefully. Although needing the
graphic to stand out, a slightly darker and more burgundy shade was
chosen as this conveyed sophistication rather than the standard, bright
red which could have been considered 'tacky' and cheap'.
The
colour of the panda was changed in this way rather than changing the
font itself as it was more convenient - there is also has a very faint
(i.e. low opacity) grey 'outer glow' which is too applied in this way.
When the variant of the logo was produced the layers were flattened and the image inverted to create what is shown below.
Because there were no layers, the panda image was then filled in the with the red colour using the paint bucket tool . The colour picker tool was used to ensure that the red used in the original logo was the same used in the varient.
The
line separating the 'PANDA' and productions was done by selecting the
line tool from the shapes menu as shown in the screen dump below. The
shift key was held down whilst dragging the cursor across the page to
ensure that the line was indeed straight.
The
'PRODUCTIONS' in the logo appears slightly faint. This is to draw
attention to the 'PANDA' aspect and is done by placing a grey inner glow
on the text and lowering the opacity to around 66% (this was changed
several times after the below screenshot was taken).
Finally,
using both a font downloaded from the internet and an included system
font is fine in the instance of this coursework, although should our
sequence and company actually be created for the 'real world' we would
need to seek copyright permission in order to use them
for commercial purposes.
When
we use our logo at the beginning of our sequence we will need to
consider how it will appear. Will it be animated by different aspects
fading and flying in, etc.? At the moment we anticipate that the logo
will fade in, in a slow and sophisticated manner, with the panda
dropping down from above, before bouncing on the line and stabilising.
This will be done to a 'bouncing' sound.
|
Title Sequence Timeline
As part of our research I have taken a look at the order in which the titles appear in the opening sequence of a horror film; The Wickerman (1973). In doing this I established the following order;
- Introductory message / messages of thanks / prologue / contextual information relating to film
- Production / distribution companies
- Film's creator and title
- Lead actors
- Supporting actors / cameos
- Technical roles (i.e. sound, casting, wardrobe, etc.)
- Senior technical roles (music, photography, editors, screenplay writers, producers, always ends on film director)
However,
I realised that the film may be a little dated and so compared the
opening sequence from 1973 with that of the 2006 remake of 'The Wicker
Man' as shown below.
Although
both titles generally have the same order, those from 2006 were much
more streamlined in the sense that there were fewer names on screen at
the same time, despite that the fact that this meant a greater number of
titles in all. In the 1973 version the name of the film was revealed
near the beginning whereas in 2006 this was placed at the very end
following the director - there was a gap between the two after a
potential crux in the plot to build suspense and 'lure' in the audience.
This also highlights another difference. In the original most of the
titles cover the screen, overlaid over a series of establishing shots
which sets the scene. In the remake the titles are placed in the corners
and overlay the actual beginning of the narrative (including dialogue,
etc.) When not placed in the corners the titles are less obstructing as
there is usually only one name in this case.
The following screen shots illustrate the difference in titles mentioned above.
2006
1973
The 1973 titles look more like something that would be seen in the credits of a modern-day film.
The
main similarity between the two is that they both overlay the text over
shots rather than a plain background which is sometimes a convention of
horror films (usually black). White is most likely used as this
contrasts well with most colours. Another similarity is the use of
uppercase letters to emphasise actors names.
Although
our sequence will probably more closely follow that of the 2006 remake,
it is important to understand how conventions have changed so that our
titles are relevant to a 21st century audience. Finally, it is worth
mentioning that in the 2006 version each title is closer together but
are quicker to read in the allocated time because there is less time.
This is something we will need to think about.
Friday, 10 February 2012
Tuesday, 31 January 2012
Monday, 30 January 2012
Sunday, 29 January 2012
Thursday, 26 January 2012
Monday, 23 January 2012
Wednesday, 18 January 2012
Tuesday, 17 January 2012
Brief
Brief: Create the opening sequence to of a Horror/Noir film including titles lasting 2 minutes.
Research & Planning (20 marks) | Friday 10th February 2012
Construction (60 marks)
- Completion of filming | Wednesday 28th February 2012
- Rough Cut | Friday 2nd March 2012
- Final Cut | Friday 16th March 2012
Evaluation (20 marks) | Friday 20th April 2012
ALL deadlines must be adhered to. Failure to meet a deadline will result in referral to HoD and ST.
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